That Floating Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

Looking back, we reflect on the TV landscape of the recent year, a handful of series emerge not for their brilliance, but for their spectacular failures. From awkward spin-offs to bafflingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with dreadful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the final series began, it looked like it had at last hit its stride. Then came an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It ended on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The recipient of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The hilariously wooden writing? The mind-numbing veneration of wealth and consumption? The seemingly deliberate procession of tropes? Acting so bad they felt borderline spiteful? Let’s just say “all of the above” and forget about this series again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were many other issues. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint lifestyle as intentional statements. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the experience was akin to consuming a marketing brochure. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was straining desperately to live up to something far greater than it.

Too Much

How do you succeed a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted emerging comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for sexual escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Matthew Williams
Matthew Williams

A digital content strategist with a passion for storytelling and SEO, based in the UK.